Sound Level Meter / Noise Meter

Sound level meter instruments and analyzers by B&K are designed for class 1 measurement accuracy, ease-of-use, and unprecedented flexibility. In fact, our latest generation of sound level meters can be directly operated through smartphones, and with the addition of our feature-expanding sound level meter apps, you can customize your instrument to any task.

It's been over 60 years since Brüel & Kjær invented the world's first portable sound level meter. And we still lead the industry today.

B&K 2245 SOUND LEVEL METER
With NOISE PARTNER

B&K 2245 sound level meter is an easy-to-use solution for dedicated noise measurement tasks. The instrument comes with a range of apps, each tailored to provide functionality for your specific job-to-do.

Read More
BK-2250-2270-Sound-Level-Meter

B&K Type 2250 and Type 2270
Sound Level Meter / Analyzer

Providing an award‐winning design based on extensive research among technicians, engineers and consultants, B&K Type 2250 and Type 2270, are both equipped to handle the most demanding measurement tasks.

While Type 2250 is a single-channel instrument, Type 2270 features two channels for simultaneous sound and vibration measurement.

SLM Buyers guideBUYERS GUIDE
THINGS TO CONSIDER BEFORE CHOOSING YOUR SOUND LEVEL METER

WHAT IS A SOUND LEVEL METER

A sound level meter is an instrument (commonly hand-held), designed to measure sound levels in a standardized way.

Commonly referred to as a noise level meter, noise meter, decibel meter, SPL meter (to name a few), a sound level meter is designed to respond to sound in approximately the same way as the human ear. The purpose is to give objective, reproducible measurements of sound pressure levels.


HOW TO USE A SOUND LEVEL METER

A sound level meter is often used to measure and manage noise from a variety of sources, such as industrial plants, road and rail traffic, and construction work.

With the addition of typical urban situations, such as sports events, outdoor concerts, parks, and residential- or commercial neighbors, all different sound sources have different characteristics, which that pose specific problems for the professionals assessing them.

The listed articles below detail the most common use-cases:


HOW DOES A SOUND LEVEL METER WORK?

A sound level meter comprises a microphone, a preamplifier, signal processing, and a display.

The microphone converts the sound signal to an equivalent electrical signal. The most suitable type of microphone for a sound level meter is a condenser microphone, which combines precision with measurement reliability.

The electrical signal produced by the microphone is at a very low level and must be enhanced by a preamplifier, before reaching the main processor. Signal processing includes applying frequency weightings and time weightings to the signal as specified by international standards such as IEC 61672 – 1, which a sound level meter complies with.


THE DISPLAY

The display (typically an LED display) shows the sound level in decibels together with a description of the selected time weighting and frequency weighting (LAeq or LCpeak).

The signal may also be available at output sockets in either AC or DC charge, which is typically used in connection to external instruments such as a data acquisition system providing a record for further processing.

Time weighting specifies how the SLM reacts to changes in sound pressure. It is an exponential averaging of the fluctuating signal, providing an easy-to-read value.

The analyzer applies Fast, Slow and Impulse (or ‘F’, ‘S’ and ‘I’) time weightings, which are the required weightings according to most international and national standards and guidelines. Environmental assessment standards usually specify which time weighting to use.


Time Weighting
The signal is processed through the weighting filters, and the resulting sound pressure level is displayed in decibels (dB) referenced to 20 μPa on the analyzer’s screen. The sound pressure level values are updated at least once per second.

Assessing a fluctuating noise level means getting a value for a level that is, in simple terms, the average level. The ‘equivalent continuous sound level’, Leq, is known around the world as the essential averaged parameter.

Leq is the level that, had it been a steady level during the measurement period, would represent the amount of energy present in the measured, fluctuating sound pressure level. It is a measure of the averaged energy in a varying sound level. It is not a direct measure of annoyance, though extensive research has shown that Leq correlates well with annoyance.

Leq can be measured directly with most professional sound level meters, and is sometimes called an integrating sound level meter. If an A-weighting filter is used, it is expressed as LAeq, the measurement of the equivalent continuous sound level using the A-weighted filter network
Frequency weighting adjusts how the sound level meter responds to different sound frequencies. This is necessary because the human ear’s sensitivity to sound varies according to the sound’s frequency.

IEC 61672-1 (international standard) defines frequency weightings A, C and Z, but other frequency weightings are occasionally used in specialized applications.
Frequency Rating
 
A-weighting – dBA/dB(A)
A-weighting adjusts a signal in a way that resembles the human ear’s response at medium-range levels. It is based on the 40 dB equal loudness curve. The symbols for the noise parameters often include the letter ‘A’ (for example, LAeq) to indicate that frequency weighting has been included in the measurement.
 
A-weighting is required for nearly all environmental and workplace noise measurements and is specified in international and national standards and guidelines. A-weighting filters cover the full audio range, 10 Hz to 20 kHz.
 
C-weighting – dBC/dB(C)
The response of the human ear varies with the sound level. C frequency weighting corresponds to the 100 dB equal loudness curve, that is to say, the human ear’s response at fairly high sound levels.

C-weighting is mainly used when assessing peak values of high sound pressure levels. It can also be used, for example, for entertainment noise measurements, where the transmission of bass noise can be a problem.
 
Z-weighting – dBZ/dB(Z)
‘Zero’ frequency weighting is a flat frequency response between 10 Hz and 20 kHz ±1.5 dB excluding microphone response.
 
Today, the A-weighting network is the most widely used frequency weighting. C-weighting does not correlate well with subjective tests because the equal loudness contours were based on experiments which used pure tones — and most common sounds are not pure tones, but very complex signals made up of many different tones.
When more detailed information about a complex sound is required, the frequency range from can be divided up into sections or bands. This is done with electronic or digital filters, which reject all sound with frequencies outside the selected band. These bands usually have a bandwidth of either one octave or a third of an octave.

An octave is a frequency band where the highest frequency is twice the lowest frequency. For example, an octave filter with a centre frequency of 1 kHz admits frequencies between 707 and 1414 Hz but rejects all others. (The name octave stems from the fact that an octave covers eight notes of the diatonic musical scale). A third octave covers a range where the highest frequency is 1.26 times the lowest frequency.
Frequency analysis
The process of thus dividing a complex sound is termed frequency analysis and the results are presented on a chart called a spectrogram.

After the signal has been weighted and/or divided into frequency bands, the resultant signal is amplified, and the Root Mean Square (RMS) value determined in an RMS detector. The RMS is a special kind of mathematical average value. It is of importance in sound measurements because the RMS value is directly related to the amount of energy in the sound being measured.
International standards are important either because they are used directly or because they provide inspiration or reference for national standards. There are two main international bodies concerned with standardization.
 
The International Organization for Standardization (ISO) primarily deals with a methodology to ensure that procedures are defined to enable comparison of results. The International Electrotechnical Commission (IEC) ensures that instruments are compatible and can be interchanged without major loss of accuracy or data.

IEC 61672 - INTERNATIONAL STANDARD
“IEC 61672 – Electroacoustics – Sound level meters” is the current international standard that sound level meters should meet to satisfy most modern regulations. It specifies “three kinds of sound measuring instruments” - the “conventional” sound level meter, the integrating-averaging sound level meter, and the integrating sound level meter.

The standard is published in three parts:
  • Part 1: Specifications: Requirements for sound level meter performance and functionality for class 1 and class 2 sound level meters
  • Part 2: Pattern evaluation tests: Details of the tests necessary to verify conformance to all mandatory specifications given in IEC 61672-1. Used by test laboratories to ensure that instruments meet manufacturers claims.
  • Part 3: Periodic tests: Procedures for periodic testing of sound level meters conforming to the class 1 or class 2 requirements of IEC 61672-1:2002
It defines the basic terminology including the central Rating Level parameter and describes best practices for assessing environmental noise.

ISO 1996: ASSESSMENT OF ENVIRONMENTAL NOISE

ISO 1996 is a central standard within environmental noise assessment, acting as a reference work on the subject and commonly referred to by regional standards and regulations.

The standard is in two parts:
  • Part 1 (2016): Basic quantities and assessment procedures
  • Part 2 (2017): Determination of sound pressure levels
Calibration is an adjustment of your sound measuring instrument to measure and display correct values. The sensitivity of the transducer, as well as the response of the electronic circuitry, can vary slightly over time or could be affected by environmental conditions such as temperature and humidity. 

While you are unlikely to ever experience a large drift or change in sensitivity, it is nevertheless, good practice to regularly check the calibration of your measuring instrument before and after each set of measurements. This is best done by placing a portable acoustic calibrator directly over the microphone, providing a precisely defined sound pressure level to which the sound level meter can be adjusted.

In addition to checking calibration before and after measurements, many regulations and standards governing sound level measurements often also require that your sound level meter is calibrated in a laboratory once every 12 or 24 months.